Offering live online, self-paced online, and in-person classes and workshops, we have everything you need to go to the next level

Student Testimonials

“Living far away from NYC I never thought I'd be able to take a course at NYAA - the online modality offered made it possible! ”

“I have taken several online classes and workshops over the past 2 years from a variety of artists and schools. I have found your format and instructors to be top notch. I am a high school art instructor…and working artist. I have personally grown as an artist and have shared what I have learned with my students. ”

Gayle

“You provide varied options which are both traditional and on trend. These are delivered by instructors who have each been uniquely expressive and passionate about their art, have been able to walk the line between structure and expectation and encouragement of personal artistic growth. Some classes brought in diverse and fascinating influences which widened the focus of the class and in so doing you were in an atmosphere of total inspiration! ”

“It allows me to take a high quality class that has helped me to improve as an artist remotely. I don’t live in New York and though I would love the opportunity to study in person, I would never be able to do so. Online classes make what was previously impossible possible, I’m very grateful for the opportunity. ”

“I loved Zane York's still life class. I took it twice. Part of me always wished I'd gone for an MFA, but thats not something thats accessible to me. I feel like I get an opportunity to take a really challenging masters level course that I could not get anywhere else. It was honestly the most wonderful thing. I learned so much from him. I can't wait to take his course again. ”

“Often continuing ed. classes are thin of content and lacking in teacher concern but these classes were rich in both. I'm already looking at your March offerings, trying to figure out how I can make time for another class.”

Fran

“Your teachers are absolutely fantastic. I've taken lots of online courses, but never felt as much of a connection to my teachers as with NYAA.”

NEW CLASS! Online: Introduction to Painting - Fall II 2025

Melanie Berardicelli | Fall II | Wednesdays: Oct 29 - Dec 10

Every artist needs a command of core skills to execute their artistic vision. Build upon those skills and create your best work yet. This course explores the fundamental elements of oil painting from direct observation. Students will set up and work from a series of still lives to reinforce understandings in the relationships between line, form, proportion, perspective, composition, and light value through monochromatic graphite studies. In this course, students will apply the foundational skills practiced in Introduction to Drawing to their still-life paintings and explore the additional concepts of temperature and chroma. Emphasis in this course is on analytical perception and interpretation of form.
drawing of nude woman

NEW CLASS! In-Person: The Beginners Guide to Indirect Figure Painting - Fall II 2025

Jane Philips | Fall II | Fridays: Oct 31 - Dec 12

Whether you are brand new to oil painting or have a little painting experience but want to dive into indirect figure painting, this class is for you! What exactly is oil paint? What are “odorless mineral spirits”? How do you clean brushes properly? And why do Old Master paintings seem to glow with such depth? This course demystifies the materials and methods of oil painting while building confidence in time-tested techniques. We’ll focus on indirect painting approaches that create luminous, layered results. Beginning with foundational exercises, students will gradually introduce color through chromatic glazes and velatura, working from a simplified warm/cool palette of their choice. Along the way, we’ll explore temperature relationships, optical mixing, and subtle shifts in hue and value to achieve atmospheric depth and unity. Centered on figure painting from the live model, the curriculum draws inspiration from Rembrandt’s methods—covering ground preparation, light massing, and the expressive potential of limited palettes. We’ll also look at contemporary painters who adapt indirect painting in fresh and personal ways, bridging tradition and innovation.
painting of still life with magnifying glass

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